Johnson City Blues - Clarence Greene

Johnson City Blues
By Clarence Greene

Recorded on October 13, 1928

Johnson City Blues - Lyrics

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Went up on Lookout Mountain

As far as I can see

I was lookin’ for the woman made a monkey out of me.

I come down to the depot

In time to catch a cannonball

Got the blues.... Chattanooga

I won’t be back ‘til late next fall.

Down in Memphis

On East Main Street

I was watching everybody that I chance to meet.

I saw my sweet daddy

Coming round a flat

He was dressed in a tailor made suit

And a John B. Stetson hat.

Daddy Sweet Daddy

I know you’re gonna quit me now

But I don’t need no daddy no how.

Oh it’s trouble, trouble

Is all I ever find

Goin back – Johnson City

Ought to worry you off my mind.

Down in Nicaragua

As far as I could go

Are the darnedest bunch of soldiers that you
ever saw.

On the Tennessee River

Down below the lock and dam.

I been lookin’ for my good gal

Thinkin’ she might be Miss Brown.

Down in Johnson City

For hospitality

Are the finest bunch of people

in the State of Tennessee.

I’m tired – of roamin’ this way

Goin back – Johnson City

I’ll go back and stay some day.

Western Union Telegram - 1929

Clarence Greene - 1915
Greene Brothers String Band

Byrd Moore's Hot Shots: 1929

Byrd Moore, Clarence Greene,
& Clarence "Tom" Ashley

Clarence Greene - 1940

Newport, Tennessee - 1910

Clarence Horton Greene was born in 1894 and died in 1961. A native of North Carolina, Greene had a long and distinguished musical career playing primarily fiddle and guitar from 1915 - 1955. Clarence Greene recorded for the Columbia, Victor, and Okeh record labels.

According to Greene's son, Clarence Greene had heard a ragtime type tune titled Chattanooga Blues recorded by the Allen Brothers in 1927 and Clarence was in Atlanta at the time of the Allen recording. The tune actually originated with blues singer Ida Cox, who recorded the song for Paramount in 1923 and Greene's version is much closer in style to Ida Cox who was accompanied by a piano. Webpage on the Chattanooga Blues.

In 1928, when Frank Buckley Walker auditioned and recorded Appalachian talent for Columbia Records in Johnson City, Tennessee, Clarence Greene, who performed Chattanooga Blues in his repertoire, adapted the Allen Brothers/Ida Cox tune to the lyrics above as "Johnson City Blues." In the recording for Columbia, Greene performs only with his guitar in a style reminiscent of Delta Blues.

The Columbia recordings by Frank Buckley Walker became known as The Johnson City Sessions and in addition to Clarence Greene featured top performers Fiddlin' Charlie Bowman and Clarence "Tom" Ashley. Ashley's recording of the Coo Coo Bird (from the 1929 Johnson City Columbia Sessions) is considered a clawhammer banjo classic. Ashley (1895 - 1967) was the last surviving star of the Johnson City Sessions, and was still performing at folk festivals and international tours with his friend Doc Watson shortly before his death.

According to Greene's protege and travel companion, Walter Davis, Greene and Davis learned blues guitar from the legendary bluesman Blind Lemon Jefferson, (October 26, 1894 -- December 1929) who lived for a time in Johnson City, Tennessee performing as a street musician in the town's hotel/railroad district. Both Davis and Greene also performed as "street musicians" in cities in both eastern Tennessee and western North Carolina. Walter Davis was playing banjo on the streets of Newport, Tennessee and other area towns as a small boy.

The audio interviews below of Walter Davis (interviewed by Wayne Erbsen) offer tremendous insight into the 1920 - 1940 era of old-time music and entertainment in the mountains sections of North Carolina and Tennessee. The musical selections show the "musical melting pot" influences between the songs and styles of Lemon Jefferson, Clarence Greene and Walter Davis.